Krishna – No Longer the Perfection of Yoga – Revisited

By Ajit Krishna Dasa

Arsa-Prayoga.com – Revisited is the title of an upcoming ebook that continues the work begun here on arsaprayoga.com. It re-examines the changes made to Śrīla Prabhupāda’s original books from new angles and explains why each alteration is significant.

Each example will also be posted here on arsaprayoga.com.

Today we are revisiting:

Krishna – No Longer the Perfection of Yoga

Description

The original cover of The Perfection of Yoga, published during Śrīla Prabhupāda’s presence, depicts Lord Krishna instructing Arjuna on the battlefield of Kurukṣetra. The newer version replaces this sacred scene with a modern, abstract image: a silhouetted yoga figure against a cosmic background, accompanied by planetary symbols and a hummingbird.

Type of change

Visual substitution — replacement of the original painting with a completely different concept.

Category

Philosophical change.

Commentary

The original cover: revelation and surrender

The first edition’s painting is not just devotional art — it is theology in color. It captures the divine dialogue of the Bhagavad-gītā: the Supreme Lord imparting transcendental knowledge to the bewildered soul. Krishna’s gesture expresses both compassion and authority, while Arjuna’s posture shows humility and surrender.

This image teaches before one even opens the book. It tells the reader: “Here is yoga in its highest form — the union between the soul and Krishna through surrender and service.” The visual message aligns perfectly with Śrīla Prabhupāda’s text, where yoga culminates not in physical postures or impersonal meditation, but in bhakti-yoga, devotion to the Supreme Personality of Godhead.

The new cover: abstraction and self-centered spirituality

The new cover shifts the entire philosophical mood. The central figure is no longer Arjuna receiving revelation but a lone silhouette performing an asana — an emblem of modern yoga culture. The background, with its planets, abstract lights, and hovering bird, suggests cosmic energy and mysticism rather than divine personality.

The focus has moved from Krishna to the individual practitioner. The very idea of “perfection” is reframed — from surrender to the Supreme to self-realization through posture and mental discipline. The new imagery reflects the psychology of self-help and the commercial yoga industry rather than the theology of bhakti.

The consequence: from tattva to marketing

This shift is not cosmetic. It mirrors the broader editorial problem: once Krishna is removed from the center — visually or textually — everything else changes. The meaning of yoga becomes sentimental and speculative.

Where the original cover anchored the reader in tattva (spiritual truth), the new one drifts toward māyā-vāda aesthetics — the impersonal mood of “energy,” “light,” and “universal consciousness.” It exchanges humility for abstraction, devotion for design.

Śrīla Prabhupāda’s original books were meant to preach, not to conform. The old cover declared the eternal truth of Krishna consciousness; the new one markets a diluted idea of spirituality.

In short: the original cover preaches; the new cover advertises.

And that change — from revelation to representation, from śabda-pramāṇa (divine authority) to manuṣya-pramāṇa (human taste) — is the violating of the principle of arsa-prayoga.

Spaced Out Edit – Revisited

By Ajit Krishna Dasa

Arsa-Prayoga.com – Revisited is the title of an upcoming ebook that continues the work begun here on arsaprayoga.com. It re-examines the changes made to Śrīla Prabhupāda’s original books from new angles and explains why each alteration is significant.

Each example will also be posted here on arsaprayoga.com.

Today we are revisiting:

Spaced Out Edit

https://arsaprayoga.com/2021/02/28/spaced-out-edit/

Description

The article examines a major change in Śrīmad-Bhāgavatam 1.16.12, purport, where a large portion of Śrīla Prabhupāda’s original text was deleted and replaced with a much shorter version. In the original Delhi edition, personally typewritten by Śrīla Prabhupāda, the purport included a vivid cosmological description explaining how each planet is “an island in the airy ocean of outer space.” The later BBT-International edition removes most of this section, leaving only a brief mention of Bhārata-varṣa and the Mahābhārata’s description.

Since the Delhi edition was typed by Śrīla Prabhupāda himself, there is no earlier draft that could justify this change. The deletion therefore cannot be called a “restoration.” It is a posthumous editorial removal of material personally written and approved by the author.

Type of change

Deletion and condensation — a large section of original text removed and shortened.

Category

Philosophical change.

Commentary

Deletion and condensation

This is not a correction of typographical error. Substantial text has been eliminated, changing both the content and scope of the purport. Such reduction is not preservation but revision.

Loss of cosmological detail and mood

The removed section presents the Vedic conception of the universe, describing planets as islands in the airy ocean of space. This imagery expresses both philosophical meaning and devotional beauty. Its removal flattens the text, leaving a stripped-down version that weakens the reader’s sense of Vedic cosmology and spiritual wonder.

Interpretive interference

By removing this material, the editor decided which aspects of Śrīla Prabhupāda’s exposition were “essential” and which were not. That decision cannot be editorial—it is interpretive. It transfers authority from revelation to human judgment, from transmission to management.

Modern palatability

It seems likely that the editor considered Prabhupāda’s cosmological explanation too unusual or “unscientific” for modern readers and shortened it to make the purport more acceptable. This turns faithfulness into adaptation. Instead of preserving Śrīla Prabhupāda’s transcendental message, the text is reshaped to suit secular taste.

The result is not merely a shorter purport, but a reorientation of meaning: the Bhāgavatam’s bold transcendental cosmology is softened into something modern minds can tolerate. What was revelation becomes explanation.

Śrīla Prabhupāda’s original books were never meant to be adjusted for comfort. Their strength lies in direct transmission of transcendental knowledge, unbent by modern prejudice. Editing them to “help” the reader understand does not illuminate the message—it dims it. In this change, the editor crosses the line from preservation to modification, from śabda-pramāṇa (divine authority) to manuṣya-pramāṇa (human opinion).

Small Word, Big Difference – Revisited

By Ajit Krishna Dasa

Arsa-Prayoga.com – Revisited is the title of an upcoming ebook that continues the work begun here on arsaprayoga.com. It re-examines the changes made to Śrīla Prabhupāda’s original books from new angles and explains why each alteration is significant.

Each example will also be posted here on arsaprayoga.com.

Today we are revisiting:

Small Word, Big Difference

https://arsaprayoga.com/2014/08/12/small-word-big-difference/

Description

The article shows how a small change in a purport—from “done by Krishna” to “done for Krishna”—creates a profound shift in meaning. Though it appears minor, this substitution alters the philosophical substance of the text.

Type of change

Substitution — a single preposition replaced.

Category

Philosophical change.

Commentary

Alters causal agency / the relationship between Krishna and activity

The difference between “by Krishna” and “for Krishna” is not stylistic. It changes who is acting and whose will is primary. “Done by Krishna” means that Krishna is the direct actor, the cause behind all action. “Done for Krishna” reverses the flow, implying that the devotee acts and offers the result. That is not the same truth; it replaces divine agency with human initiative.

Changes nuance of surrender / devotional theology

In the original wording, the devotee is fully dependent. He is the instrument, Krishna the mover. This is the essence of śaraṇāgati—to see Krishna as the doer in all things. The edited phrase softens that surrender. It suggests the devotee’s independent action performed on Krishna’s behalf rather than through Krishna’s will. The theology of dependence becomes a theology of contribution.

Moves from metaphysical fact to interpretive sentiment

“Done by Krishna” is an ontological statement: it describes reality as it is. “Done for Krishna” is a moral sentiment: it describes how we wish to act. This subtle shift turns realization into interpretation, revelation into advice.

A single preposition has thus transformed the meaning, the mood, and the philosophy. It is not grammar; it is theology.

The Pseudo-Vāda of the Book-Changers

By Ajit Krishna Dasa

Those who have altered Śrīla Prabhupāda’s books like to speak of “devotee cooperation” and “proper channels.” What they mean is submission without scrutiny. They have built a system where questioning is punished, reasoning is re-framed as offense, and loyalty is measured by silence.

Whenever a devotee raises a concern, the reply is almost scripted:

“You are offensive.”

Continue reading

From Dhyana to Sankhya: Prabhupada’s Vision for Chapter 6

By Ajit Krishna Dasa

Srila Prabhupada’s decision to title Chapter 6 of the Bhagavad Gita As It Is “Sankhya Yoga” stands as a distinctive and deliberate choice, diverging from the more common “Dhyana Yoga” favored by traditional acharyas, modern scholars, and Western translators. This title, unique in the history of widely recognized Gita commentaries, reflects his mission to present the text through the lens of Gaudiya Vaishnavism while reintroducing the theistic Sankhya philosophy of Kapila Muni, the divine son of Devahuti from the Srimad Bhagavatam. Far from a mere editorial quirk, Prabhupada’s naming can be seen as a strategic reclamation of the term “Sankhya,” serving as an implicit attack on the atheistic Sankhya school and aligning the chapter’s teachings with Krishna consciousness. This choice makes sense when viewed through the philosophical content of Chapter 6, its integration of Sankhya and Yoga, and Prabhupada’s broader purpose of countering materialistic philosophies.

Philosophical Foundations: Theistic Sankhya and Its Contrast with Atheism

Sankhya philosophy, one of the six classical schools of Indian thought, fundamentally distinguishes between purusha (the eternal, conscious soul) and prakriti (temporary, unconscious matter), aiming for liberation through analytical knowledge. However, two versions of Sankhya exist: the atheistic, classical Sankhya, often attributed to a sage Kapila, which denies a supreme God and posits multiple purushas liberated through intellectual discernment alone, and the theistic Sankhya of Kapila Muni, an incarnation of Vishnu, as detailed in Srimad Bhagavatam (Canto 3, Chapters 24–33). The latter integrates this dualistic framework with devotion to Krishna, the Supreme Purusha, as the source and controller of all existence.

Srila Prabhupada consistently champions the theistic Sankhya of the Bhagavatam’s Kapila, critiquing the atheistic version as incomplete. In his purport to Gita 2.39, he describes Sankhya as the analytical study of soul and matter but ties it to Krishna’s authority, while in Srimad Bhagavatam 1.2.30, he credits Kapila (the Vishnu avatar) with creating Sankhya to dispel material illusion, implying the atheistic school is a corruption. By titling Chapter 6 “Sankhya Yoga,” Prabhupada reclaims the term from its godless connotation, positioning it as a Krishna-centric science of self-realization. This choice serves as an attack on atheistic Sankhya by asserting that true Sankhya—unlike its materialistic distortion—culminates in devotion to the Supreme Personality of Godhead, not mere intellectual isolation.

Chapter 6’s Content: A Blend of Sankhya Philosophy and Yogic Practice

Chapter 6 of the Gita, while renowned for its meditative instructions (e.g., 6.11–14: sitting steadily, focusing on the self or Krishna), contains philosophical elements that resonate with Sankhya, justifying Prabhupada’s title. Verses like 6.5–6 (“One must deliver himself with the help of his mind… the mind is the friend or enemy”) echo Sankhya’s view of the mind as a product of prakriti that binds or liberates the purusha depending on its mastery. Similarly, 6.1–4 emphasize detachment from sense objects and fruitive results, mirroring Sankhya’s goal of disentangling the soul from material nature. The description of the yogi’s transcendent state in 6.20–23—realizing the self’s distinction from matter through “transcendental senses”—further aligns with Sankhya’s liberation through discriminative knowledge.

Prabhupada’s “Sankhya Yoga” title broadens the chapter’s scope beyond meditation (dhyana) to include this analytical foundation, reflecting the theistic Sankhya of Kapila, where understanding the soul’s eternality leads to Krishna (Srimad Bhagavatam 3.25.18). Unlike “Dhyana Yoga,” which narrows the focus to meditative practice, “Sankhya Yoga” encapsulates the integration of knowledge (Sankhya) and discipline (Yoga), culminating in devotion (6.47: “The highest yogi thinks of Me constantly”). By highlighting these Sankhya elements, Prabhupada challenges atheistic Sankhya’s endpoint—self-isolation without God—replacing it with a theistic synthesis that directs the practitioner to Krishna, thus undermining the atheistic school’s philosophical legitimacy.

Historical Context: Sankhya and Yoga’s Traditional Connection

The tendency in Indian tradition to connect Sankhya and Yoga as complementary systems supports Prabhupada’s titling. Historically, Sankhya provides the metaphysical blueprint (distinguishing purusha from prakriti), while Yoga, particularly Patanjali’s Ashtanga Yoga, offers the practical path, with dhyana (meditation, the seventh limb) as a key stage. The Gita itself reflects this synergy: Chapter 2 introduces Sankhya’s analytical wisdom (2.39), and Chapter 6 blends it with yogic practice. Prabhupada’s “Sankhya Yoga” title leverages this tradition, but adapts it to Vaishnavism by rooting it in Kapila’s theistic Sankhya, not the atheistic version that Patanjali’s Yoga partially accommodates (via Ishvara, Yoga Sutras 1.23).

This historical pairing bolsters Prabhupada’s attack on atheistic Sankhya. By invoking “Sankhya” in a yogic context, he reasserts its original spiritual purpose—lost in the godless classical school—and aligns it with the Gita’s theistic narrative, where Krishna is the ultimate goal (Gita 15.17–18). This reclamation serves as a polemic, subtly exposing atheistic Sankhya’s inadequacy compared to its devotional counterpart.

Prabhupada’s Strategic Intent: Attacking Atheistic Sankhya and Inspiring Exploration of the Bhagavatam

Prabhupada’s mission was to counter materialistic and impersonal philosophies, including atheistic Sankhya, which he saw as a distortion of Vedic truth. His critiques in purports—e.g., dismissing atheistic Sankhya as “dry speculation” (Gita 7.4, purport)—reveal his intent to restore its theistic essence. Naming Chapter 6 “Sankhya Yoga” is a deliberate strike against this distortion for several reasons:

  1. Reclamation of Terminology: By using “Sankhya,” a term familiar to scholars and practitioners, Prabhupada confronts its atheistic association head-on. He redefines it through Kapila’s lens, where analytical knowledge serves bhakti, not godless liberation, thus challenging the classical school’s authority.
  2. Philosophical Superiority: The chapter’s content—integrating self-realization with devotion—demonstrates that theistic Sankhya surpasses atheistic Sankhya. Verses like 6.29–30 (“He who sees Me everywhere”) elevate Sankhya’s dualism into a Krishna-centric unity, exposing the atheistic version’s limitation in stopping at individual purusha without recognizing the Supreme Purusha.
  3. Educational Polemic: Prabhupada’s global audience included Westerners and Indians influenced by secular interpretations of Sankhya. Titling Chapter 6 “Sankhya Yoga” educates them that true Sankhya aligns with Krishna consciousness, countering scholarly narratives equating Sankhya with atheism and reinforcing the Gita’s theistic intent “as it is.”
  4. Parampara’s Authority: By tying the title to Kapila of the Bhagavatam, Prabhupada roots it in disciplic succession, contrasting it with speculative atheistic Sankhya. This asserts the Vedic authenticity of his interpretation, undermining the classical school’s standalone credibility.
  5. Inspiring Engagement with the Srimad Bhagavatam: Beyond attacking atheistic Sankhya, Prabhupada’s use of “Sankhya Yoga” also aimed to inspire readers to explore the Srimad Bhagavatam, which he considered the “ripe fruit of the Vedic tree” (Srimad Bhagavatam 1.1.3, purport) and the ultimate scripture for Krishna consciousness. By linking Chapter 6 to Kapila’s theistic Sankhya—detailed in Bhagavatam Canto 3, Chapters 24–33—he creates a bridge to this text, where Kapila’s teachings expand on the Gita’s principles with a devotional focus (e.g., Bhagavatam 3.25.18). In purports like Gita 6.13–14, he references Kapila’s meditation on Vishnu (Bhagavatam 3.28.8–11), subtly encouraging readers to delve into the Bhagavatam for a deeper understanding of both Kapila’s Sankhya but also of the Srimad-Bhagavatam itself. For his audience—many unfamiliar with this scripture—the title “Sankhya Yoga” plants a seed of curiosity about Kapila’s full discourse, reinforcing the Bhagavatam’s role as the natural next step after the Gita and enhancing his mission to elevate global devotion through the parampara’s treasures.

Uniqueness and Justification

No major traditional acharya (e.g., Shankaracharya, Ramanujacharya, Madhvacharya) or modern translator (e.g., Sivananda, Chinmayananda) titles Chapter 6 “Sankhya Yoga”—they typically use “Dhyana Yoga” or variants, reserving “Sankhya Yoga” for Chapter 2. Prabhupada’s divergence is a bold innovation, justified by Chapter 6’s Sankhya-like elements and his mission. While “Dhyana Yoga” fits the chapter’s meditative focus, “Sankhya Yoga” captures its broader philosophical depth, aligning with his view of Kapila’s system as both knowledge and practice directed toward Krishna.

Conclusion: A Sensible and Strategic Choice

Srila Prabhupada’s “Sankhya Yoga” title for Chapter 6 makes profound sense as a reflection of its content—merging Sankhya’s analytical insights with Yoga’s meditative discipline—and his intent to advance Gaudiya Vaishnavism. It serves as a strategic attack on atheistic Sankhya by reintroducing Kapila’s theistic version, challenging its godless conclusions, and redirecting its principles toward Krishna. This choice not only highlights the chapter’s philosophical richness but also fulfills Prabhupada’s mission to present the Gita as a devotional text, countering materialistic distortions and establishing Krishna consciousness as the ultimate synthesis of Vedic wisdom. In this light, “Sankhya Yoga” is not just a title—it’s a declaration of theistic triumph over atheism, rooted in scripture and tradition.

For a definitive proof that Srila Prabhupada wanted Chapter Six of his Bhagavad-gita As It Is to be named Sankhya-Yoga, please see this article.

PROBLEM OF THE BBT EDITING SUMMARIZED

“The problem of the Bhaktivedanta Book Trust (BBT) editing can be summarized fairly well with four concise points:

(1) False Assumption of Authority: where Prabhupada only granted conservative, provisional authority, the BBT editors assumed unrestricted, open-ended authority.

(2) Editorial Overreach: where Prabhupāda requested only simple copyediting and correction of obvious mistakes, the BBT editors took great liberties in revising, omitting, and even attempting to correct the author’s content.

(3) Noncompliance with Scholarly Standards: where Prabhupada requested scholarly editorial standards, the BBT editors misapplied scholarly textual methods and employed arbitrary and inconsistent editing practices.

(4) Editorial Changes without Transparency: where devotional and scholarly editorial standards compelled full transparency, the extent of editorial changes by the BBT editors are undisclosed in the author’s works.”

Reference:

Posthumous Editing of A Great Master’s Work – Special Focus on the Writings of A. C. Bhaktivedanta Swami Prabhupada, Edited by Graham M. Schweig, 2024, Lexington Books, Introduction, p. 3-4)

“Enter Blazing” – Jayadvaita Swami Commits a Grammatical Error (Bg. 11.28)

universal-formThe Universal Form

Bhakta Torben Nielsen recently made me aware of this change to Bg. 11.28:

Original and authorized 1972-edition:

“As the rivers flow into the sea, so all these great warriors enter Your blazing mouths and perish.”

BBT International’s edited 1983 edition:

“As the many waves of the rivers flow into the ocean, so do all these great warriors enter blazing into Your mouths.”

So-called original manuscript:

There is no verse for 11.28 as the page is missing. But verse 30 mentions the words “blazing mouths”.

This is a very interesting change, because it is of a grammatical nature:

  • In Srila Prabhupada’s original 1972 edition the adjective “blazing” describes the plural noun “mouths”.
  • In BBT International’s 1983 edition the adjective “blazing” describes the plural noun “warriors”.

So which translation is grammatically correct – Srila Prabhupada’s or Jayadvaita Swami’s?

The context

Here we have the verses from Bg. 11.28-30 (original edition):

“As the rivers flow into the sea, so all these great warriors enter Your blazing mouths and perish.” (Bg. 11.28)

“I see all people rushing with full speed into Your mouths as moths dash into a blazing fire.” (Bg. 11.29)

“O Visnu, I see You devouring all people in Your flaming mouths and covering the universe with Your immeasurable rays. Scorching the worlds, You are manifest.” (Bg. 11.30)

We see that Srila Prabhupada describes the mouths of the universal form as “blazing” (Bg. 11.28) and “flaming” (Bg. 11.30), and compares them to a “blazing fire” (Bg. 11.29). There is no “original manuscript” available for Bg. 11.28-29, but the “original manuscript” for Bg. 11.30 also says “blazing mouths”, as mentioned above.

Screen Shot 2015-03-13 at 11.49.21

Plate 31

The painting above this article is Plate 31 from the Bhagavad-gita As It Is. Just like all other paintings in the book it was approved by Srila Prabhupada. On the painting we clearly see that the warriors are entering into the blazing mouths of The Universal Form – just like we are told that they are in the Bg. 11.28, 1972 edition.

Srila Prabhupada’s desire

Based on the above, there is no doubt at all that Srila Prabhupada wanted to use the adjective “blazing” to describe the mouths of the universal form. He never meant to say that the great warriors were “blazing”.

What does the previous acaryas say about Bg. 11.28? (as translated on bhagavad-gita.org)

Sridhara Swami’s commentary:

“As unlimited currents of water helplessly flow in innumerable rivers and are propelled from multiple channels into the ocean, the mighty warriors of the Kaurava and Pandava armies are seen to be helplessly propelled into the flaming, gnashing mouths of the visvarupa or divine universal form of Lord Krishna.” ()

Kesava Kasmiri’s commentary:

“How helplessly do the mighty warriors of the Kaurava and Pandava armies enter into the flaming mouths of Lord Krishna’s visvarupa or divine universal form? As helplessly as unlimited currents of water from innumerable rivers are propelled into entering the ocean.”

In his translations of Visvanath Cakravarti Thakura and Baladeva Vidyabhusana’s Bhagavad-gita commentaries Bhanu Swami also translates Bg. 11.28 as follows:

“As many swift currents of rivers flow towards the sea, so these heroes of the world enter Your flaming mouths.”

The sanskrit

Gaura Krishna Dasa, a student of sanskrit, sent me the following analysis of the sanskrit grammar:

Regarding the change in the translation of Bhagavad gita 11.28.

The word “abhivijvalanti” is in the 1972 edition taken as what in grammar is called a verbal adjective or a participle. A participle is basically a derivative from a verb but belonging in the group of adjectives. This particular participle is a participle in present tense, active voice for parasmaipada verbs. It is in neuter gender, plural number and in the accusative case which clearly indicates that it relates to “vaktraani” which is also in neuter gender, plural number and accusative case.

Sridhara Swami, Visvanath Cakravati Thakur and Baladeva Vidyabhusana have the same grammatical conclusion of this word as a participle and therefore in relation to “vaktraani” attributively, “blazing mouths”.

The “anti” ending in “abhivijvalanti” could preliminarily appear as a finite verb 3rd person in the plural number and present tense related to “nara-loka-viira” (the kings of human society), but this conclusion is in the least very strange. It would, if accepted, be a distortion of historical facts and it must be concluded faulty because this sentense already has a finite verb namely “visanti” meaning entering. So if we for the sake of example maintain “abhivijvalanti” as a finite verb, as it is done in the 1983 edition it would translate “as the many waves of the rivers flow into the ocean, so all these great warriors enter and blaze your mouth”, since “abhivijvalanti” can also not be taken as an adverb describing “visanti” attributively.

Conclusion:

“abhivijvalanti” must be taken as a participle – as done by the previous acaryas and the original 1972 edition – and not a verb as done in the 1983 edition.

Conclusion

The evidence against Jayadvaita Swami’s change is overwhelming:

1. Srila Prabhupada is very clear in his original Gita and his manuscripts – the mouths are blazing. Not the warriors.

2. Srila Prabhupada follows the previous acaryas who says that the mouths are blazing (flaming, gnashing).

3 The painting depicting this event (Plate 31 in the Bhagavad-gita As It Is) shows that it is the mouths of The Universal Form that are blazing.

4. According to sanskrit grammer it is the “mouths” that are “blazing”. Not the “warriors”.

Even if both translations could be correct (which they cannot), there would still be no justification – based on the above analysis – to change Srila Prabhupada’s translation of the verse.

It would not be possible to do this without overriding his own editorial decisions and thus violating the arsa-prayoga principle.

Please see additional evidence here.

Not “Closer to Prabhupada” (Bg. 18.2)

Jayadvaita Swami and BBTI’s claim to fame:

Screen Shot 2014-09-04 at 21.27.05

Let us (again) take a look at this claim.

Bhagavad-gita As It Is Text 18.2:

Original and authorized 1972 edition of Bhagavad-gita As It Is: 

“The Supreme Lord said, To give up the results of all activities is called renunciation [tyaga] by the wise. And that state is called the renounced order of life [sannyäsa] by great learned men.”

BBTI’s unauthorized 1983 edition of Bhagavad-gita As It Is:

“The Supreme Personality of Godhead said: The giving up of activities that are based on material desire is what great learned men call the renounced order of life [sannyasa]. And giving up the results of all activities is what the wise call renunciation [tyaga].”

“Original Manuscript”:

Screen Shot 2014-08-30 at 14.23.28 

This is NOT an example of Jayadvaita Swami bringing us “Closer to Prabhupada!” On the contrary, he has (again) taken the Bhagavad-gita As It Is further away from Srila Prabhupada. In other words, we are not reading Srila Prabhupada. We are reading what the hidden co-author, Jayadvaita Swami, wrote.

Their claim to fame is a falsehood.

The “Book Changes” Conflict (Parasurama Dasa)

Parasurama_leading_kirtan_in_Oslo

BY: PARASURAM DAS (From Sampradaya Sun)

Aug 05, 2014 — UK (SUN) — We arrived in Scandanavia for the Rathayatra tour (7 Rathayatra festivals). The first words I heard from a local devotee were “thank you for defending Srila Prabhupada’s original books”. Then I noticed devotees wearing T-shirts promoting BBT printing. Yep, we have a conflict.

In this age of Kali there are few things we can agree on. At least we all agree on the Mahamantra being chanted, and we used to be able to agree on the purity of the books. It was an argument that set us above other “religions” who had watered down their books. But now we are in danger of disunity again over something that could have been avoided. Even the famous barking dog video revolved around the book changes.

All the deviations in our history had one thing in common: the concept that Srila Prabhupada was inaccessible or insufficient. Zonal Acharyas, Gopi Bhava Club, Narayana Maharaj, Hinduism, etc. Some groups still remaining within ISKCON still believe that Srila Prabhupada’s books are not Sabda Brahman. Not one word nor one full stop should be changed. Srila Prabhupada taught us this principle:

“So unless one is self-realized, there is practically no use writing about Krsna. This transcendental writing does not depend on material education. It depends on the spiritual realization. You’ll find, therefore, in the comments of Bhagavatam by different acaryas, even there are some discrepancies, they are accepted as asat-patha. It should remain as it is.” (Lecture, Vrindavana, March 31,1976)

It was Krishna’s arrangement that Jayadvaita Swami and Dravida prabhu made so many mistakes and unnecessary changes, as it has highlighted our offence of seeing Srila Prabhupada’s books in a relative way. Even though Srila Prabhupada said that discrepancies should remain unchanged the BBT ignore this, and even worse, make changes when there is no discrepancy. There are many cases where the manuscript and the original edition are in agreement, and with perfectly good grammar. One example is the many times that “owner of the body” has been changed to “knower of the body”. The BBT conveniently avoids talking about this.

See the changes to Bg. 9.1

Screenshot 2014-06-21 23.45.09

 Click to enlarge the picture.

Download as PDF here:

change-to-bg-table-9.1.